More Evidence
The New Zealand Electronic Poetry Centre (NZEPC) is one online article used to show the direct correlation between Hip-hop and Peotry. By examining semantics and poetic techniques, the article is able to provide direct examples of poetry employing stylistic components also found in Hip-hop verse.
For example, "In order to write lyrics that do not rely on melody and which require only minor accompaniment, Hip Hop artists have adopted many traditional poetic devices, a process which appears to have been organic rather than intentional. For example, consider the following set of King Kapisi lyrics:
…thoughts bewitched like Salem's LotPresence of preachers I'm an atheist, glad to meet ya!Rape of consciousness in my Pacific, rememba it tug wool on opticsJust a switch of catatonic perception, dimension on this tune called religionOr just a ruined slender lead over greed, false hopes who feed beliefs in hierarchyGreed stained facts about the original manFi-fi-fo-dum, Polynesians origin, Pacific basin, my backyard, kinfolk, soft-spoken relapseRaps crush venues til mics collapse, the haps is I the Polynesian rebelTo all systems submit to nothing, elevating mindstate, annihilate,Monday to Friday, weekend stress the day of homage that keeps brothers in bondageFools follow, that's why I fight for my people Sixth or Seventh day adventuristsOpen doors to enlightenment? Bickering, who's idol is greater, who's idol is real?Or true masters of deception … ask yourself the question! (King Kapisi, ‘Reverse Resistance.’)
In this fragment we can see a number of the common elements of Hip Hop poetics: regular use of alliteration and assonance; metaphors/similes drawing from popular culture (in this case, the Stephen King novel Salem's Lot); a loose structure of rhyme and metre. Interestingly, many of the poetic devices that rap lyrics have reintroduced are relatively uncommon in contemporary English-language poetry, which has adopted a style that is closer to everyday speech. Contemporary poetry, in its written form, also tends to use line-breaks in order to emphasise certain meanings; clearly this technique is less relevant in rap since it is an oral form and is written out according to the points where the rhyme (or assonance) falls."
---information provided by article on Hip-hop and Poetry by the NZEPC
For example, "In order to write lyrics that do not rely on melody and which require only minor accompaniment, Hip Hop artists have adopted many traditional poetic devices, a process which appears to have been organic rather than intentional. For example, consider the following set of King Kapisi lyrics:
…thoughts bewitched like Salem's LotPresence of preachers I'm an atheist, glad to meet ya!Rape of consciousness in my Pacific, rememba it tug wool on opticsJust a switch of catatonic perception, dimension on this tune called religionOr just a ruined slender lead over greed, false hopes who feed beliefs in hierarchyGreed stained facts about the original manFi-fi-fo-dum, Polynesians origin, Pacific basin, my backyard, kinfolk, soft-spoken relapseRaps crush venues til mics collapse, the haps is I the Polynesian rebelTo all systems submit to nothing, elevating mindstate, annihilate,Monday to Friday, weekend stress the day of homage that keeps brothers in bondageFools follow, that's why I fight for my people Sixth or Seventh day adventuristsOpen doors to enlightenment? Bickering, who's idol is greater, who's idol is real?Or true masters of deception … ask yourself the question! (King Kapisi, ‘Reverse Resistance.’)
In this fragment we can see a number of the common elements of Hip Hop poetics: regular use of alliteration and assonance; metaphors/similes drawing from popular culture (in this case, the Stephen King novel Salem's Lot); a loose structure of rhyme and metre. Interestingly, many of the poetic devices that rap lyrics have reintroduced are relatively uncommon in contemporary English-language poetry, which has adopted a style that is closer to everyday speech. Contemporary poetry, in its written form, also tends to use line-breaks in order to emphasise certain meanings; clearly this technique is less relevant in rap since it is an oral form and is written out according to the points where the rhyme (or assonance) falls."
---information provided by article on Hip-hop and Poetry by the NZEPC
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